Copyright 2020 - Gesellschaft für Fantastikforschung

Deadline: May 15, 2020

 

taking place at
Karlstad University, Sweden
November 11-13, 2020.


Just like the Roman god Janus, speculative fiction looks into both the past and the future in its attempt to make sense of the bewildering clutter of events, phenomena, and ideas which constitute the present. Traditionally, science fiction has been the arena for speculating about the future, while the past has been the domain of the fantasy genre. However, fantasy may also take place in the present, as testified by the increasingly popular urban fantasy genre, and even the future can accommodate fantasies, such as Nalo Hopkinson's Brown Girl in the Ring. Meanwhile, subgenres such as alternative history or steampunk may be said to constitute science fictions of the past. In the shape of “creation stories,” speculative works such as J. R. R. Tolkien’s Silmarillion and C. S. Lewis’s The Magician’s Nephew narrate the beginning of history, whereas the apocalyptic and post-apocalyptic genres speculate about the end of history—and what comes after. And many forms of speculative fiction portray the evil that comes from the past to threaten the present, whether in the guise of an ancient vampire, a Dark Lord returning, or an alien roused from its aeons-long sleep.
The nature of time itself is also the focus of many speculative works. Adventurers into Faerie may find that years have passed after their one night away, and space travellers who go faster than the speed of light may experience the same. Normal temporal relations and principles are turned on end in time travel narratives such as H. G. Wells's The Time Machine, Philippa Pearce's Tom's Midnight Garden, or BBC's Doctor Who; and in Michael Ende’s Momo, the pivotal struggle between good and evil does not concern the fate of the world, but that of time.


Speculative fiction as a mode of literature has deep historical roots, roots that are very much alive in contemporary texts. Whether they are ancient myths and epics, Gothic novels of the seventeen and eighteen hundreds, or pulp fiction from a century ago, the precursors and forerunners echo in the literature of today. On
the other hand, as ecocritic Timothy Clark (2014) suggests, speculative fiction may be the literary mode best suited for dealing with “the collapse of distinctions between the trivial and the disastrous, nature and culture” which are likely to characterize our future in the Anthropocene epoch.
For Specfic 2020: Time and History, we welcome proposals for papers on any of the multitude of ways in which speculative fiction, in any media, interacts with, comments on, and relates to time and history. We also welcome proposals for papers on the history, present state, and predicted future development of the speculative genres themselves, or of speculative fiction as a field of academic study.
We are delighted to present keynotes from Edward F. James, Emeritus Professor of Medieval History at University College Dublin, and Merja Polvinen, University Lecturer in English Philology at University of Helsinki.


Possible topics include, but are not limited to, the following:
• History of the speculative genres
• Future development of the speculative genres
• The representation of different historical
epochs in speculative fiction (the middle ages;
the 19th century etc.)
• Posthumanism
• Alternative histories
• Time travel
• Work and futurism
• Fantasy and modernity
• Fantasy with future settings
• Speculative fiction and the avant-garde
• Speculative fiction and the anthropocene
• Speculative fiction and globalization
• Utopias/dystopias of the past and the future
• Post-scarcity futures


All proposed papers should connect, in some way, to the theme “Time and History.” 

Submissions should consist of a 300-word abstract and a tentative bibliography together with a short biographical note. They should be sent to Diese E-Mail-Adresse ist vor Spambots geschützt! Zur Anzeige muss JavaScript eingeschaltet sein! by May 15, 2020. Possible acceptance letters will be sent on June 15 at the latest.

The Network for Speculative Fiction is an informal network of researchers, critics, and others who engage professionally with the speculative genres (i.e. science fiction, fantasy, horror, utopia/dystopia, post-apocalypse etc.) in various media. The purpose of the network is to provide a forum in which the members can exchange ideas and further their knowledge of the speculative genres.