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Proceedings published by De Gruyter

A selection of lectures from the founding conference and first annual meeting of the Gesellschaft für Fantastikforschung eV (GFF) was published in two volumes by Walter De Gruyter in 2012. Other lectures may be published elsewhere. A large number of lectures are also available as videos on the University of Hamburg’s streaming service lecture2go (there: Video Portal; here: List of all lectures).

The Proceedings volumes:

strange worlds. Paths and spaces of the fantastic in the 21st century Collision of Realities. Establishing Research on the Fantastic in Europe
Editors: Lars Schmeink & Hans-Harald Müller
German
Download: Flyer, Table of Contents
Editors: Lars Schmeink & Astrid Böger
English
Download: Flyer, Table of Contents
Lars Schmeink, Astrid Böger, Hans-Harald Müller: Preface (1)

Theoretical reflections on the fantastic

Helmut W Pesch: Fantasy and intertextuality. Methodological problems in genre typology (7)

Frank Weinreich: The fantastic is not fantastic. On the relationship between fantasy and reality (19)

Henning Kasbohm: The clutter of the rooms. Contribution to the discussion about an operationalizable concept of the fantastic (37)

Uwe Durst: Bounded and Unbounded Wonderful Systems. From Bourgeois to “Magical Realism” (57)

Border crossers of the fantastic

Pamela Steen: Fantastic fictions in everyday conversations (77)

John Walter: On the role of Latin in the fantastic. Harry Potter, Aventuria and Lovecraft (103)

Lucia Traut: The construction of collective imaginary spaces in fantasy role-playing games (123)

Maximilian Vogelmann: Live roleplay and fantasy. Results of a qualitative study at the Kite Festival 2009 (141)

Fantastic in Film and TV

Benedict Marco: visual mazes. The image of the city in the Oshii Mamorus cinema (163)

Aleta Amirée von Holzen: Marvel-lous Masked Men. Dual identities in superhero films (187)

Simon Mirror: The blue wonder. Naturalization, alienation and digital figures in James Cameron's Avatar (203)

Jorg Hartmann: The first spaceship crash in history. George Méliè's films viewed metaphorologically (223)

Anke Woschech: "Bright, shiny futures are overrated anyway." On the change in technology and history semantics in Battlestar Galactica (237)

Francesca Yardenit Albertini: Myth and religiosity in Star Trek (261)

Fantastic Literature: Individual Studies and Reviews

Petra Schrackman: Knowledge as a threshold: urban fantasy for children and young people in media transfer (271)

Martin GE Sternberg: Materiality of characters and materiality of the world in fantasy (287)

Anja Stürzer: The desacralization of the world. "Crypto-Religious Rooms" in The Lord of the Rings and Harry Potter (299)

Ink Frost: fairytale forests. The topos forest in European fairy tales and in its modern interpretations (319)

Julia Boog: inside views. Phantasmagorias in Yôko Tawada's The Naked Eye (339)

Hans Harald Mueller: Forms and functions of the fantastic in the work of Arthur Schnitzler and Leo Perutz (355)

Evelyne Jaquelin: Fantastic and wonderful. Goethe's treatment of the "ghostly" in the conversations of German emigrants (363)

Joerg Schoenert: Fantastic from a genre historical point of view. On the constitutional phase of horror and horror novels in German-language fiction around 1800 (381)

Peter Huehn: Horrific family stories. On the plot structure of English Gothic Novels (391)

Jacek Rzeszotnik: Faces of Polish non-realist literature at the beginning of the 21st century (407)

Meret Fehlman: Strange and yet known. The image of Neanderthals in Prehistoric Fiction (423)

Hans Esselborn: The change in German science fiction. From technical science fiction to depicting alternative worlds (443)

Lars Schmeink, Astrid Böger, Hans-Harald Müller: Preface (1)

The Fantastic-Theory and History

Brian Stableford: The Art and Science of Heterocosmic Creativity (7)

Jan Christoph Meister: "It's not what you see - it's how you see what you see." The Fantastic as an Epistemological Concept (21)

Rene Schallegger: The Nightmares of Politicians. On the Rise of Fantasy Literature from Subcultural to Mass-cultural Phenomenon (29)

Clemens Ruthner: Fantastic Liminality. A Theory Sketch (49)

Visualizing the Fantastic in Our Culture

Marleen S Barr: Fantastic Language/Political Reporting. The Postcolonial SF Illocutionary Force is with us (67)

Markus Oppolzer: Visualizing the Fantastic in Strange Embrace (85)

Christian Lenz: love your zombie Romancing the Undead (103)

Simone Knewitz: God Hates Fangs? Morality, Ideology, and the Domesticated Vampires in American Culture (119)

Paul Beehler: The Semiotics of Sexual Transformation. Ursula and Ariel as Representations of Metamorphosis in The Little Mermaid (139)

Fantastic Genres: Fantasy

Lily Glasner: Taking a Zebra to Vegas. Allegorical Reality in the Percy Jackson & the Olympians Series (155)

Anne Klaus: "Real adventures weren't about Hogwarts and Muggles." Intertextual References in Amanda Hemingway's Sangreal Trilogy (175)

Justyna Deszcz-Tryhubczak, Agata Zarzycka: On Alien Alders. The "Erl-King" Inspirations in Andrzej Sapkowski's Witcher Sage (187)

Karin Kokorski: "It's magical!" Supernatural Elements in Children's Literature and Young Adults' Fiction (205)

Margaret McMurry: Story Matters. Story and its concept in Tolkien and Pratchett (219)

Wallace T Cleaves II: Grimmerie and Primer. Wicked and Diamond Age as Instructional Texts (233)

Fantastic Genres: Science Fiction

Minwen Huang: The Haunted House of Science Fiction. Modern Ghosts, Crypts, and Technologies (251)

Jacobo Canada: Difference and Resistance in MT Anderson's Feed (271)

Alan Weiss: Disharmony and Dystopia. Music in Classic Dystopian Fiction (285)

Arianna Casali: Facing the End of the World. Margaret Atwood's Post-apocalyptic Science Fiction (295)

Sarah Herbe: Is the Scientist Still Mad? Renegotiations of a Cultural Stereotype in New Hard Science Fiction (311)

Ingo Cornils: Utopian, Dystopian and Subversive Strategies in Recent German Alternate History Fictions (325)

Conference Theme Story

Paul DiFilippo: A Pocketful of Faces (341)